Portfolio
ILY42 ST.PAULI
Îlot des Capucins
Davril 2026 3co
Divin 2026 4co
Davril 2025 7co
Divin 2025 8co
Project Name Six
Project Name Seven
Project Name Eight
Project Name Nine
Project Name Ten
Project Name Eleven
Project Name Twelve
Information
Details
Banshee
Davril
Shot between March & December 2025
Using FX3 & Canon R6
Edited on Photoshop & Davinci w/ Elsa Holoffe, Eloi Céleste & Lucas MASO
Production w/ Tom Galliaerde &Lucas MASO
Used on website & instagram
Banshee
Davril
Shot between March & December 2025
Using FX3 & Canon R6
Edited on Photoshop & Davinci w/ Elsa Holoffe, Eloi Céleste & Lucas MASO
Production w/ Tom Galliaerde &Lucas MASO
Used on website & instagram
Divin 2025, 8 collections, March & December 2025
At Divin, I produced most of the campaigns on this page, from research to production to editing, always in both photo and video. The brief was always the same: create content built to go viral, with a world of its own for every drop.
That took me to Marseille for Troublemaker, filming divers leaping off a bridge more than ten metres high. I wrapped a Clio 2 in a livery nodding to iconic rally logos for Rally, took the whole crew to Bruges, and worked as assistant director on a short film series directed by Sunday & Leam.
At Divin, I produced most of the campaigns on this page, from research to production to editing, always in both photo and video. The brief was always the same: create content built to go viral, with a world of its own for every drop.
That took me to Marseille for Troublemaker, filming divers leaping off a bridge more than ten metres high. I wrapped a Clio 2 in a livery nodding to iconic rally logos for Rally, took the whole crew to Bruges, and worked as assistant director on a short film series directed by Sunday & Leam.